Forum Replies Created
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Update – added:
Breathe Carolina – Sellouts (feat. Danny Worsnop)
Linkin Park – A Light That Never Comes (feat Steve Aoki)
” src=”/wp-content/uploads/invision_emoticons/default_SA_smile.gif” />General- This is something I don’t understand. Why switch to 4/8 halfway through the song when you can do just as well at 4/4? It just doesn’t make sense to me.
My bad, I charted the song in 4/8 during tempomapping because the kicks appeared to line up better. NightmareLyre changed it to 4/4… I’m guessing he missed a few markers? Where are they?
Drums
NightmareLyre did drums. I’ll try to get him to look all of this over. All I did was fix magma errors and shorten the track (in general)
Keys
- M73, 135: Part of me feels that the ascension/descension thing is overdoing it a bit.
Are you talking about the 16th before the sustain? I felt the same way, but NightmareLyre charted the keys so I tried not to question it.
2:49+ actually shows how the keys part was recorded:
Guitar
- M7, 8, 9, etc: On thing to learn about charting guitars like this is knowing the difference between chords and distortion. This is a lot of distortion. The cords at 8.3 are chords, though. The rest I think should go like:
B->G->G->B->G->G->Y->Y
or
Y->G->G->Y->G->G->R->R
Those YG really sound like bar chords to me… I’ve tried to watch the beginning of the video to make sure, but the way he lays his finger across the fret makes me think it’s a chord
- M15.1.5, 16.1.5, 17.1.5: Personally hearing this as Y->O->Y->O->Y->BO->BO.
Not sure, sounds like it could be either way. It’s two guitars so I charted the first on the top portion, and the second on the bottom.
- M18: These chords should be single notes. The last note should not be sustained. I think it should look like:
Y->Y->Y~~~>B->B->B
Those really sound like chords to me. I keep listening but I hear a lower and a higher note on every strum. The sustain does sound forced, so I’m removing it.
Apply something similar to M92, 100, and 108. M116 is fine as is.
108 is the only one where I agree with you on the chord thing. I meant to remove that second half but apparently missed it during copy/pasting. Honestly it sounds like two different guitar tracks on all of the other ones.
- M22.1.5: B->B->B___R->R->G
Yeah there’s some variation between the last two notes… Though I’m not sure on the chord vs. note thing… The video kinda made me think it was a bar chord but they might have just picked some close (but off) video… Care to take a look @0:30?
- M27.1, 29.1, 31.1, etc: These RB and YO chords are reversed.
Yeah, totally fucked up on that one. That’s rather embarrassing… Fixing that now.
- M27.3.5, 29.3.5, etc: These GY’s oughta be GR’s. Mostly basing it on the GR at M28.1. Speaking of which…
- M28.1, 32.1, etc: These GR’s should be changed to GY’s.
I’m a little confused here. So basically you’re saying the GY and GR need to be swapped because the pitch is higher on the second one?
- M46.1.25: I think this RY should be HO/PO’d.
For accuracy or playability?
- M54.4.75: Lose this green. I think I know what you’re trying to do with it, but it doesn’t work from here.
Yeah just couldn’t get the feeling right
- M87.3-91.4, 93.3-99.4: Move these reds to blue.
I thought the pattern was more or less identical to the one at m19.1.05, just with more distortion. - M102-108, 110-116: These patterns are the same as the ones before them. They’re just really distorted. The thing about turning reds into blues apply here as well.
Wasn’t sure so I charted it in case. It does still seem more “satistfying” to play the other way, but oh well.