[Chainsaw Octopus]

I’m starting on “Moving To New York” by The Wombats, the drums sound like they’re going to be a lot of fun.

[Atruejedi]

Roman Candle

 

Background: The keenest of you are saying, “But Atruejedi, you said you wanted bands with NO representation in Rock Band! Roman Candle has a song on the Rock Band Network!” They sure do, and it’s a good tune! But I use a Wii and cannot purchase this song. So, technically, there are no Roman Candle songs available… for me ” src=”/wp-content/uploads/invision_emoticons/default_SA_wink.gif” />. Hopefully you’ll indulge my violation of this rule, because it was very difficult to select one song from each of their albums, since their 2011 sophomore release is just jammed with amazing tunes. It was easy to choice The Obvious Choice, however, because it also doubles as my favorite song by the band.

 

The Obvious Choice:

Why Modern Radio is A-OK

Album: Oh Tall Tree In The Ear (2011)

 

Some of my favorite lyrics of all time. I love the criticism of modern radio and the lamentation of the death of quality music. I’m surprised this wasn’t the song selected for the Rock Band Network. Their loss is my gain, I hope! ” src=”/wp-content/uploads/invision_emoticons/default_SA_biggrin.gif” />

 

Vocals: Some might be turned off by his vocal style in this song, but if you hate it, I urge you to listen to the other songs below, which feature much more pleasant vocals. No harmonies.
Guitar: Lots of chords, in a good way.
Bass: Pretty standard.
Drums: Nothing special.
Keys: Synthesizer is prominent in the background, and a pipe organ as well! The harmonica could also be charted here during the “solo.”
Miscellaneous: No need to chart those backwards lyrics at the beginning. Nice ending. Also, I request “sack of monkeys” be talkies so I can scream them in anger. ” src=”/wp-content/uploads/invision_emoticons/default_SA_wink.gif” />

 

Runner-up:

Not Strangers Anymore

Album: Debris (2013)

 

A gentle song, with a more “modern” sound compared to the other choices. I could fall asleep to this, in a good way.

 

Vocals: Actually pretty, especially compared to The Obvious Choice. Some sort of background vocals are happening here.
Guitar: Sounds varied to me.
Bass: Pretty bland affair, I think.
Drums: I can’t tell if it’s easy or interesting or difficult or boring.
Keys: Constant synth in the background. Sounds fun to play while singing.
Miscellaneous: Nice, crisp ending.

 

Runner-up:

You Don’t Belong To This World

Album: The Wee Hours Revue (2006)

 

I just love this guy’s songwriting. He really paints vivid pictures. A great example of that. Now I want to order a rum and lemonade!

 

Vocals: Good lyrics, much less abrasive singing than what’s featured in the Obvious Choice. No harmonies.
Guitar: Chords. A little solo of sorts.
Bass: Sounds super fun.
Drums: They sound interesting to my untrained ear.
Keys: Synthesizer of some sort.
Miscellaneous: Crisp ending. This song is not available on Spotify.

 

---

 

@TomGuy: I agree, Stop is a great choice as well. But tough choices had to be made… ” src=”/wp-content/uploads/invision_emoticons/default_SA_frown.gif” />

@i0brendan0: Sweet! I’ll update the OP.

@Chainsaw Octopus: Great news! I’ll update the OP.

[Atruejedi]

The Redwalls

 

Background: These guys had three delightfully eclectic albums and then– POOF! Gone. Such a tragedy, because there’s some real talent here. I wish I’d have known of them before they disappeared, or, better yet, seen them live. I’m not surprised they were never considered for a custom, but I feel like if more people knew they even existed, something would have been created. They have so many fantastic tunes that would fit perfectly in your song libraries, so I feel guilty sticking to the Rule of Three here… then again, I violate my own standards not irregularly anyway, so this is my penance, I suppose. Anyway. The ball’s in your court now, forum. I’ve done my part to knock down the barriers of ignorance. ” src=”/wp-content/uploads/invision_emoticons/default_SA_wink.gif” />

The Obvious Choice:
Colorful Revolution
Album: Universal Blues (2003)

This song sounds like the Beatles and Bob Dylan had a beautiful, time-traveling baby. This is the opening track from their debut album and really sets one of the tones heard throughout their short career together. But if this sound isn’t your bag, do not fret. The songs below sound completely different.

 

Vocals: Really fun melody, pretty background harmonies.
Guitar: All over the place. Lots of styles for lots of fun! Great little solo, too.
Bass: Fairly repetitive but soooo groovy, baby.
Drums: I know nothing about drums, but it sounds fairly simple.
Keys: Piano sounds simple but enjoyable. I really wanna tap it out while singing harmonies!
Miscellaneous: It has its own count-in! And a crisp ending.

Runner-up:
Hangman
Album: The Redwalls (2007)

Do you wish the concept of bad-assery could be transmuted into a living, breathing, song? Well, this is the song for you. A great example of what rock ‘n’ roll could– nay, should be.

 

Vocals: Nice background harmonies. Throat-destroying primary vocals, especially during the refrain. If you aren’t screaming these defiant lyrics, you aren’t doing it right. I’d feel dirty crooning these vocals… that would be cheating, cheater! To the gallows with ye!

Guitar: Lots of guitar going on here, so take your pick (puns).
Bass: Holy moly! That rumbling bass part just makes me shiver.
Drums: Sounds like standard rock ‘n’ roll, which ain’t a bad thing, brother.
Keys: None.
Miscellaneous: Crisp ending.

Runner-up:
Rock & Roll
Album: De Nova (2005)

Come on, little girl! This swingin’ number will have you twisting and shouting and clapping to the beat… and if it doesn’t, you just don’t know cool, square! The Redwalls have pure talent when it comes to channeling by-gone eras of music, and this song wonderfully encapsulates early rock ‘n’ roll… hence the title. Two minutes of pure, nostalgic ecstacy (wink).

 

Vocals: I am a choir boy, and that depresses me, because I absolutely dream of singing like this… such a great rock ‘n’ roll voice.
Guitar: The ladies will a’hoppin’ and a’boppin’ when you dazzle them with your fingers! A rockin’ lil’ solo to boot.
Bass: It actually sounds pretty darn fun, but nothing revolutionary.
Drums: Standard rockin’ drums. You’ll have fun, even if it ain’t nothin’ special.
Keys: Pffft! This is rock, son. Ain’t no room for keys!
Miscellaneous: Nice, crisp ending.

[Atruejedi]

The Vaccines

Background: I was lucky enough to see these guys perform right before their drummer quit the band, and they are a sloppy, raucous good time to see live (perhaps were, now). They bring a lot of unpolished, raw energy to their shows that isn’t my typical reason for seeing bands in concert, but it really works for them. You might describe the performance as sick. Their first album, What Did You Expect From The Vaccines?, is a masterpiece of a debut. It really channels the sound of early rock ‘n’ roll. It’s got the energy and the spunk and the garage acoustics (Post Break-Up Sex from it is now available! Download here). The two following albums are good, but definitely different at best and weird at worst… even though much of that weird is generally interesting and enjoyable. For that reason, though, I had to double-up on choices from their first album and still decided to provide one song a piece from their other efforts. Rule violation, I know. If you’re unfamiliar with the band, I hope at least one of the selections below infect your ears… get it?

The Obvious Choice:
If You Wanna
Album: What Did You Expect From The Vaccines? (2011)

As I intimated above, their entire debut record is a joy, so the Obvious Choice would clearly come from this album… but which song? The opening track, Wreckin’ Bar (Ra Ra Ra), was a contender, but it’s just such a short song. This one has a bit more meat on its bones. Let me elaborate:

Vocals: A fairly simple, pleasant crooning melody with subtle backing harmonies during the refrain. Refreshingly honest (and sad, really) lyrics.
Guitar: Chords. Lots of ’em.
Bass: Standard bass fare.
Drums: Phew. Break out your water bottles and sweat bands, kids. Time to do some work.
Keys: Hey, there’s even a cute little keyboard solo! Or maybe that’s a guitar… hard to tell. But neat!
Miscellaneous: Abrupt, solid ending.

Runner-up:
All In White
Album: What Did You Expect From The Vaccines? (2011)

The crowd go crazy when this song is performed at their shows… and I can’t blame them. Something about it is just compelling and cool. At first I was surprised this made my suggestion list, but the more I think about it, no, I shouldn’t be surprised at all. It’s a great tune, and the problem is the Vaccines have too many songs that could be the Obvious Choice. I chose this one as a runner-up because it’s a bit slower and doesn’t represent them entirely… but no single song could.

Vocals: Just a melody. No harmonies needed for this gem. The crowd usually provides their own backing vocals.
Guitar: Chords. Something that could be charted as a solo, but not really a solo, per se.
Bass: Standard bass line is the foundation here.
Drums: Standard stuff most of the time, but it sounds pretty fun and there are definitely some interesting parts.
Keys: None.
Miscellaneous: Slow, crisp ending.

Runner-up:
Minimal Affection
Album: English Graffiti (2015)

Almost sounds like a Cars song, which is a profound compliment. A radical departure from the sound of their first album. Again, that’s not a bad thing, just… unexpected. Hey. If it’s good, it’s good. And it’s good.

Vocals: Smooth and relaxing. Not challenging by any means. Some buried, subtle harmonies in there.
Guitar: Guitar takes a backseat to the synthesizer most of the time, but it’s there and even prominent at times.
Bass: It’s there. Nothing special.
Drums: See above. Sorry, drummers.
Keys: Wacky synthesizer which is really darn cool and the backbone of this song, sonically.
Miscellaneous: Abrupt ending.

Runner-up:
Bad Mood
Album: Come of Age (2012)

A personal favorite. A really bad-ass song, especially live. Borderline punk, and we all know Rock Band needs more non-pop punk. It was so intense being in the crowd when this was performed. Even the wall-flowers were jumping around with their heads banging! Feeeel it!

Vocals: No harmonies. For a punk song, it’s surprisingly refined, vocally. Might remind you of The Damned. Brooding is a good adjective to describe this one.
Guitar: Shred that shiz, son! Woo!
Bass: Standard.
Drums: Also standard.
Keys: Keys would ruin the point of this. None.
Miscellaneous: Crisp.

[Atruejedi]

The Interrupters

 

Background: Okay, I’ll admit it… I have a thing for hellcat punk. I love this chick’s raspy energy. I’ve read criticism online centering around the fact that this band offers nothing new; they’re just a generic hellcat punk/ska band. And perhaps they are, but is that so bad? Do they need to offer something new and different? Honestly, the scene seems pretty dead (to me; maybe I’m missing out!), so I’ve welcomed them on my playlists. I hope you’ll welcome them into your ears as well.

 

The Obvious Choice:

She Got Arrested

Album: Say It Out Loud (2016)

 

This song is the punk/ska equivalent of Goodbye Earl by the Dixie Chicks (the Me First and the Gimme Gimmes cover of that song would be a great candidate for custom creation). Feminism rules! Castrate the misogynistic, knuckle-dragging governmant! …Ahem. Sorry.

 

Vocals: A raspy, sexy melody (don’t judge me) with many different types of backing vocals. Harmony heaven. Get ready for triple awesomes, try-hards!

Guitar: Ska guitar. A solo or two or three.

Bass: Ska bass. Funky fun!

Drums: Drums. Are ska drums a thing? I’m pretty ignorant on this. Sounds pretty basic, anyway.

Keys: Pipe organ! Get ready to hold down those ivories.

Miscellaneous: Crisp ending.

 

Runner-up:

Babylon

Album: Say It Out Loud (2016)

 

Oh man, does it get much more punk/ska than this? The way she sings this one is just so… Operation Ivy, honestly! A high compliment! Great lyrics, great instrumentals, a great message… an instant classic for the revolutionaries among us. Rise up, sheeple!

 

Vocals: Fun main vocal part, lots of background vocals for rude boys and rude girls alike.

Guitar: Ska guitar, but some rock ‘n’ roll buried in there as well.

Bass: Ska bass. More funky fun.

Drums: I don’t know enough about drums to make a comment.

Keys: Pipe organ solo! Yahoo!

Miscellaneous: I almost wish I made this the Obvious Choice. It’s just such a joy of a song.

 

Runner-up:

Take Back The Power

Album: The Interrupters (2014)

 

The opening track from their debut album. Definitely an anthem and a classically composed, socially conscience punk standard-bearer. I’m going to violate my Rule of Three, however, because I couldn’t decide between this song and the following suggestion. There’s no need for both in Rock Band, but they’re both great tunes.

 

Vocals: Get the crowd fired up, ‘cause they’ll be backing up the main vocalist on this number.

Guitar: A couple solos of sorts. Gets pretty crazy near the end.

Bass: Just a standard punk bass part.

Drums: Standard punk drums.

Keys: Nope. Get out of here, hippie.

Miscellaneous: A nice, crisp ending.

 

Runner-up:

On A Turntable

Album: Say It Out Loud (2016)

 

This might be a retread when compared to Take The Power Back above, as thematically they are somewhat similar. But I still love it, especially the allusion of the world spinning like a turntable. Not sure which I’d prefer, as there’s no need for both in your library (unless some author falls in love with this band ” src=”/wp-content/uploads/invision_emoticons/default_SA_wink.gif” />).

 

Vocals: A good anthem for parties. Plenty for the crowd to help out with.

Guitar: Lots of chords. A nice solo.

Bass: More rock than ska this time, bassists.

Drums: They’re there. Lots of things to hit.

Keys: Nope.

Miscellaneous: Nice, crisp ending.

[Atruejedi]

Operation Ivy

 

Background: I am truly flabbergasted these guys have not a single song in Rock Band, be it on disc, as an official Harmonix DLC release, or as a custom here… it is disgusting. You should all be ashamed and embarrassed, Harmonix especially! Operation Ivy are punk rock legends, and if you don’t know them, you should feel awful about your ignorance. …Ahem. Sorry. Fear not, simple plebeian. I am here to lift you out of the shadows and into the glow of nuclear winter. And to make up for my frequent violations of the Rule of Three, I will only post two songs by these godfathers of punk. After all, the songs should speak for themselves. And since there are only two choices, I shall declare them both Obvious Choices… runner-ups not needed!

 

The Obvious Choice:

Sound System

Album: Operation Ivy (1989)

 

You should have heard this song at some point in your life. If not, you’re welcome. I really don’t have much to say about it, as it really should speak for itself. If I have to talk you into enjoying and appreciating a song by a legendary band, they must not be legendary. Their first (and only!) album had twenty-seven (27!) tracks, but this song and the selection below are the absolute stand-outs from a record on which half the tracks would be great (and deserving of a place) in your library.

 

Vocals: Not exactly refined vocals… a custom should probably utilize a fair amount of talkies if you don’t want to drive vocalists insane. A good camaraderie should exist between the band during the harmonious refrain.

Guitar: Ska guitar.

Bass: All over the place.

Drums: Bang-bang, bang. Bang-bang, bang. Drum roll, please!

Keys: Hell no, fascist.

Miscellaneous: Crisp, abrupt ending.

 

The (Other) Obvious Choice:

Knowledge

Album: Operation Ivy (1989)

 

The first time I heard this song it was by Green Day on their 1,039/Smoothed Out Slappy Hours compilation album. It wasn’t until later I discovered it was originally by Operation Ivy and that’s how this all began. Thank goodness for covers! Completely different styles, though! Green Day’s version is good, no doubt, but I appreciate the raw anger of the original. Both would be good fits for Rock Band, actually…

 

Vocals:Yelling. Lots of yelling. Kind of melodic yelling during the chorus, fit for two! Either way, it should be pitched so you can fail spectacularly while singing.

Guitar: Rockin’ guitar chords. A solo! Maybe two if you’re liberal with the definition.

Bass: A standard punk rock bass line.

Drums: You hit things hard and fast during this song. Emphasis on hard.

Keys:Get the !&$% out of here.

Miscellaneous: Crisp ending.

[Atruejedi]

The Roots

 

Background: One day long ago, I was driving home from college listening to the local NPR affiliate during their underground hip-hop hour when I heard it. I was instantly drawn in, even before Boba Fett was mentioned. My experience with hip-hop up to that point was with rap, and yes, I’ll be that pretentious snob that says there’s a significant difference. I instantly copped the album featuring that Roots track and the rest is history; I’ve been a huge fan of them ever since. I’m so glad they’ve found mainstream success since becoming Jimmy Fallon’s house band; they put in the work and they deserve it. While I’d proffer that their music these says isn’t as good as their earlier output, that doesn’t have a deleterious effect on the gems they’ve given the scene in the past decades. And yes, I said band. Give the drummer some!

 

The Obvious Choice:

What They Do

Now available! Download here

Album: Illadelph Halflife (1996)

 

The Roots make me almost appreciate the Grammy Awards, because they’re one of the few acts who deserve their nominations and wins. This song came slightly before that era for them, but it blew up and led them to their eventually success. It’s a jam that has it all. Observe:

 

Vocals: Black Thought raps the verses while the chorus is sung with both melody and harmony.

Guitar: Wacky guitar intro (combined with keys) and consistently sexy guitar throughout.

Bass: Nothing fancy, but it sounds enjoyable.

Drums: Also nothing fancy. Still, you’re Questlove.

Keys: Wacky keyboard intro (combined with guitar) and consistent background keys throughout.

Miscellaneous: Definitely a keys-and-guitar-centric song. Bass and drums just form the foundation. Oh, and it fades out. Bummer.

 

Runner-up:

The Seed (2.0)

Now available! Download here

Album: Phrenology (2002)

 

This song, critical of the music industry, is sonic sex. Actually, that doesn’t do it justice. How about the description Pitchfork gave it? An “orgiastic garage funk number.” Intrigued yet? Read on…

 

Vocals: Rapping and pretty singing! Crazy metaphorical lyrics that will have your audience aroused and/or confused and/or disgusted. Pick at least two.

Guitar: Consistent playing, which is a big plus for a hip-hop song. As I said, they’re a band.

Bass: Super fun, but not complex. Do want.

Drums: You get to be Questlove again.

Keys: Not this time.

Miscellaneous: Solid, crisp ending.

 

Runner-up:

Mellow My Man

Album: Do You Want More?!!!?! (1995)

 

Clever and cool lyrics, which is par for the roots. Nice instrumentals. Back-and-forth rapping with much hype. Break out your upright bass peripheral at the two-minute mark.

 

Vocals: Two MCs to choose from: Black Thought or the now-departed Malik B. Both are bad-butt emmer-effers.

Guitar: None… but so many things that aren’t guitar are happening that it’s possible something could be charted here.

Bass: Super fun and smooth and sexy.

Drums: Drums. As Questlove. Drool.

Keys: Lots of instruments to put in this slot. But you definitely want to pretend you’re Scott Storch here. Shove the other secondary sounds in the guitar slot.

Miscellaneous: It doesn’t really fade out, so that’s a positive.

[Atruejedi]

Delta Spirit

 

Background: If I recall correctly, I discovered these guys because NoiseTrade sent me an email with a link to a promotional compilation to encourage listeners to purchase their then-upcoming 2014 album. Well, it worked, because that free sampler made me a dedicated listener with a ticket stub and a t-shirt. Thanks, NoiseTrade! Now let me pay it forward. You know how I usually say I don’t care about drums and know nothing about drums? Well, I still know nothing about drums or drumming or drummers, but I do know that I love the drums in every Delta Spirit song. Something about them… I’m not even sure if it’s the style. Maybe it’s just the sound of it. Either way, man!, the energy. Unfortunately, my measly three selections do not do the band justice in this respect, but I had to choose the first two of these three, no questions asked. My concert experience demanded it. The final selection was just a good tune with lots of keys. Sorry, drummers. If you want– actually, screw it. Rule breaking commencing. Posting a fourth song just for the drummers.

 

The Obvious Choice:

Streetwalker

Album: I Think I’ve Found It (2006)

(Not the original version I want to chart)

 

Do you appreciate or even enjoy dark lyrics with twisted imagery that actually sound happy and hopeful? I sure do. This song is pretty &@%’d up if you really listen. And that’s why I love it… because if you heard it on the radio and weren’t paying attention, you’d be cheerful and smiling. Thanks, chorus!

 

Vocals: A pleading refrain with haunting verses. You best sing this with anguish (and optimism?) in your voice. Backing vocals!

Guitar: Multiple guitar parts from which to choose. Because of that, there are lots of styles with which authors can play around.

Bass: This bass part sounds like my bread ‘n’ butter. Nothing overly difficult, but enough variety to keep a player busy and interested while bouncing around the living room.

Drums: Doesn’t sound like anything special to my untrained ear, but I like it lots and it’s definitely important to the vibe.

Keys: Nope… but ambitious authors might be tempted to chart the other guitar part here. Heh.

Miscellaneous: Crisp ending. There is a later version of this on their full-length 2007 album Ode To Sunshine, but I much prefer the version from this EP. The embedded video and Spotify playlist use my preferred version, but you can still find the inferior version on your own. I don’t want to taint your ears.

 

Runner-up:

People, Turn Around!

Album: Ode To Sunshine (2007)

 

Bear with me while I introduce this unconventional selection. At Delta Spirit’s live shows, this is typically the last song of the encore and therefore the final song of the evening. I really wanted them to play this live, so I was ecstatic when they did, but I was very surprised at the when… I adore this song, but I didn’t think it would be a good note to end the night on! Well, I was quite wrong. This song electrifies the crowd and unites them in a drunken sing-along… hopefully an experience that is coming to a living room near you soon.

 

Vocals: Beautifully somber lyrics with a great refrain for parties, especially once everybody is relatively intoxicated. Sad lyrics + alcohol + this song = camaraderie. Make some new friends with this one.

Guitar: Beyond guitar, there is a lot of what sounds like a mandolin in this song, I think. I could be wrong. Either way, it’s a strumfest, and this would be a great opportunity to use the polarizing “super fast strumming” mechanic provided by the Rock Band 3 engine.

Bass: It doesn’t play a big role in this song, but when it’s there, it’s a cute part.

Drums: Give the drummer a microphone with a stand for backup vocals during this, because he or she won’t be very busy. Lots of hand percussion with a shaker, but I’m unsure how you’d want to handle that.

Keys: Piano plays a pretty important role in this song. When it doesn’t, the harmonica could be charted here.

Miscellaneous: Crisp ending. There is an earlier version of this on their 2006 EP I Think I’ve Found It, but I much prefer the version from this full-length album. The embedded video and Spotify playlist use my preferred version, but you can still find the inferior version on your own. I don’t want to taint your ears.

 

Runner-up:

Language of the Dead

Album: Into The Wide (2014)

 

This is a very strong album, so choosing one track wasn’t easy, but I did it. For you, dear reader. I deserve the discomfort of questioning if I made the right decision for all of my previous rule violations. So, why this track? An intriguing title, strange lyrics, historical references, and political/social platitudes make me feel very uneducated and unintelligent when I listen to this song and try to decipher the true meaning. Nonetheless, food for thought and sound for ears.

 

Vocals: There are very subtle harmonies here that I can barely make out at the moment… make sure to use a cotton swab before trying to hammer them out.

Guitar: To my ear, the guitar is pretty buried in this song. It’s there, it just isn’t fancy or prominent or memorable, really. This is very much a drums and synthesizer song.

Bass: Standard stuff. The bass takes a backseat to the drums on this one.

Drums: I like ‘em. Definitely the driving force of the song. I feel like they might actually be interesting for drummers, but if not, that’s why I threw in the fourth bonus song.

Keys: Beyond drums, keys are the most prominent sound you’ll hear during this song. Fancy!

Miscellaneous: Abrupt, crisp ending.

 

Give The Drummer Some!:

For My Enemy

Album: Into The Wide (2014)

 

Look, I never drum, but these drums excite me. I can’t tell you how many times I’ve ignorantly and unskillfully air-drummed while listening to this song. I hope I don’t disappoint you… ” src=”/wp-content/uploads/invision_emoticons/default_SA_frown.gif” />

 

Vocals: Vocals should be fun for this one, and nice harmonies, too.

Guitar: It’s there… taking a backseat to drums. A sort of solo near the end, when the drummer is breaking his arms and leg.

Bass: Yawn. Who cares? This is for drummers!

Drums: I’m really trying for you drummers with this one! It sounds complex and varied and intense to me! Am I wrong? Ugh. I know nothing.

Keys: Low, rumbling piano. Some synth as well, I think.

Miscellaneous: Abrupt ending. Conveniently, this is one of my favorite songs on the album, so if it gets made, both the drummers and I benefit.

[Atruejedi]

Ike Reilly

 

Background: Something about Ike Reilly is so… subversive. And that’s precisely why I love him. He seems to give no %@s and will write about whatever he desires, specifically those dark desires, morals be damned. Deviance is his specialty, and it really fills a niche in my library for that reason. He’s so raw and genuine and unfiltered. He says what we’re all thinking. And since he’s such a rule-breaker, I’m breaking the rules here: all three selections below are from the same album. That doesn’t mean his other albums aren’t as good… but these tracks really display his different styles and would work well in Rock Band. Plus, he makes me want to be a rebel. As a further act of defiance, since there is no real Obvious Choice here… I’ll just use lyrics. These three songs are all vastly different and I’d be pleased with any of them as a custom.

 

Flow Into Your Lungs:

Ballad of Jack and Haley

Album: Hard Luck Stories (2009)

 

A genuinely sweet tale of a single father who grows and sells marijuana to make ends meet. A great fit for Rock Band, parents, and potheads alike. Hopefully someone gives this song the green light.

 

Vocals: Great lyrics, a great story, a great melody, and great harmonies. Just… great. It’s all great.

Guitar: A pretty standard part here, but instrumental to the song. Lots of fingering.

Bass: Nothing special, but it ain’t awful.

Drums: Standard drums.

Keys: Synthesizer in the background, but nothing prominent.

Miscellaneous: Crisp ending. Bonus points if you don’t get all emotional like me.

 

Dump All Your Dreams Down Into My Throat:

The War On The Terror And Drugs

Album: Hard Luck Stories (2009)

 

Ike shares the microphone with Shooter Jennings for this duet. Very memorable lyrics. Ike paints pictures. Greasy, oily pictures. A great song for parties with alcohol. And it brings some desperately needed quality country vibes to Rock Band.

 

Vocals: Ike and Shooter trade bars back and forth, with shared refrains and verses of their own.

Guitar: The beautiful guitar playing featured here is the star of the show beyond the dual vocals. Every other instrument takes a seat at the very back of the venue.

Bass: It’s there.

Drums: They exist.

Keys: There’s some piano here, prominent at times.

Miscellaneous: Do you feel corrupted yet?

 

Keeping Coaches Off the Cheerleaders:

Good Work (If You Can Get It)

Album: Hard Luck Stories (2009)

 

I really waffled back and forth between the third and final selection for Ike, but I think this tune does a good job of displaying his grimy side. It’s a sort of anthem for the bored, rural youth. School’s out and it’s time to party, rich or poor. Plus, instrumentally, it’s enjoyable for the entire band with a slight country slant.

 

Vocals: Authors can utilize talkies for parts, and there are group harmonies during the refrain.

Guitar: The star of the show, of course.

Bass: Not bad.

Drums: Not bad either.

Keys: Synthesizer or pipe organ at times. And there’s a harmonica!

Miscellaneous: Fades out, sort of. That’s just Ike being a rebel and making it difficult for authors to decide what to do.

[Atruejedi]

The Reverend Peyton’s Big Damn Band

Background: I’ve seen the Reverend Peyton and his Big Damn Band at least three or four times over the years, and it’s always a barn-burner. The band consists of the Reverend on guitar, his friend Max on drums, and the Rev’s wife Breezy on washboard. There is no bass guitar player. “But Atruejedi! I clearly hear the plucking of a bass string!” That’s right, dear reader, you do. The Reverend is playing it with his thumb as he simultaneously plays the most insane guitar parts. I have no gosh darn idea how you’d tackle this band when making a custom of one of their songs, but I felt compelled to offer up some tunes by them just to see who among you authors suffers from oppositional defiance disorder and wants to do the impossible. I will spare you and break my Rule of Three by only offering two suggestions.

 

The Obvious Choice:

Something For Nothing

Album: Between The Ditches (2012)

The Reverend Peyton is an incredibly talented guitar player, so that instrument is always going to be the focus of any song he and his band are performing. Don’t expect much from the other instruments, especially since the washboard doesn’t really translate into Rock Band (…unless you charted it to pro keys, lolol). I won’t take it personally if nobody likes this band and nobody expresses interest in charting them… but do yourself a favor and see him live if you ever get the chance!

Vocals: The Rev has a particular way of singing. And Breezy’s back there thumbing away at her washboard and singing harmonies.
Guitar: Bad-ass. A real treat for expert guitar players, I’d assume. But the question is…
Bass: …do you put the simple bass part here, or on the guitar part where it actually belongs? Ha!
Drums: Just hit ’em hard.
Keys: Washboard, anyone?
Miscellaneous: Good luck. At least there’s a crisp ending.

The (Other) Obvious Choice:

Let’s Jump A Train

Album: So Delicious (2015)

 

Can’t say much more than this is a bad-ass tune.

 

Vocals: At least he’s singing notes high enough to comfortably hit this time. And Breezy’s still back there. Did I mention she sets her washboard on fire at the end of every live show?
Guitar: More bad-ass guitar playing from the Rev.
Bass: More… thumb-strumming-while-playing-the-guitar-simultaneously by the Rev.
Drums: Cowbell. Or woodblock. Something.
Keys: Still waiting for that washboard…
Miscellaneous: Crisp ending.

[Atruejedi]

J. Roddy Walston & The Business

 

Background: Seen ’em twice, and good shows, both. Their third album wasn’t that hot, so I kind of forgot about them for a long time, but they have a fourth on the way and the first single is solid. I won’t include it on the list, though, because only time will tell if it’s actually good. The front man is an animal and will be a terror for vocalists everywhere. For once, I actually picked only three songs from three different albums. Good for me! Back to basics…

 

The Obvious Choice:

Don’t Break The Needle

Album: J. Roddy Walston & The Business (2010)

 

Rock ‘n’ roll is supposed to be about sex and drugs. This has the latter in spades.

 

Vocals: For J. Roddy, this is actually fairly singable, minus the refrain. I’m used to losing my voice in my car singing along. Please use talkies during maniacal laughter.

Guitar: Guitar shares the stage with piano for this one, but guitar is definitely important and has a nice solo.

Bass: It’s there, doing its thing in the background.

Drums: Hit things!

Keys: Solid piano part. Tickle those ivories!

Miscellaneous: Crisp ending. This was their big hit.

 

Runner-up:

Rock & Roll The Second

Album: Hail Mega Boys (2007)

 

This song is a romp, hearkening back to the good ol’ days when rock wasn’t about drugs… only chocolate malts. And sex.

 

Vocals: My throat hurts already. Please use abundant talkies.

Guitar: Nice guitar solo.

Bass: Solid bass line.

Drums: I have no opinion. Hit it hard and fast.

Keys: Woo! Fun! Pretend you’re Jerry Lee Lewis!

Miscellaneous: Crisp ending.

 

Runner-up:

Take It As It Comes

Album: Essential Tremors (2013)

 

A slower affair for this typically hard-rocking-‘n’-rolling band. That change and others are part of the reason this album was a dud, but this track stands out. Almost has a reggae feel to it… I guess he switched from needles to rolling papers.

 

Vocals: He doesn’t scream during this one . Although there is a squeal… And, hey, nice backing vocals for a group effort.

Guitar: Guitar shares the stage with the pipe organ for this ditty.

Bass: Nothing special.

Drums: Equally not-special.

Keys: A pipe organ. Come on. Cool.

Miscellaneous: Fades out ” src=”/wp-content/uploads/invision_emoticons/default_SA_frown.gif” />

[Atruejedi]

The Clarks

 

Background: This is perhaps the most obscure band on this list, but I’ll always go to bat for the Clarks. They’re an act that had, and still has, a very successful career in and around Western Pennsylvania in particular, but they only had a couple of nationally broadcast singles. The high point of their career, commercially speaking, was an appearance on The Late Show with David Letterman on which they played a completely forgettable song in 2004. But I won’t make the same mistake as the Clarks… they have so many fantastic compositions, so I decided to go big or go home. I’m swinging for the fences with my Obvious Choice… and hoping for a grand slam!

 

The Obvious Choice:

Cigarette (live)

Now available! Download here

Album: The Clarks Live (1998)

 

“Atruejedi! For the Obvious Choice, you’re requesting a LIVE version of a song by an incredibly obscure band?” Yeah, and with good reason. Just listen to this damn thing. The crowd is eating this up, and they always do! Listen to that guitar! Listen to that crowd participation! You don’t even want to hear the studio version of this… it cannot compare! If you ever get a chance to see this band, and I pray you do, take it! They still perform live non-stop, except rarely out of their Western Pennsylvania wheelhouse. Ah, what could have been…

 

Vocals: Scott Blasey sounds great live, and this is a testament to that fact.

Guitar: This guitar playing is so awesome. Ugh, solos for me to happily fail! So many solos!

Bass: Just because it isn’t overly difficult doesn’t mean it isn’t awesome! It is! It is awesome!

Drums: Do work, son!

Keys: Unnecessary!

Miscellaneous: You must chart the crowd’s vocals! And use talkies during FAYETTE COUNTY FAIR!, at the least! AND IT HAS A BIG ROCK ENDING!

 

Runner-up:

Snowman

Album: Let It Go (2000)

 

A beautiful song… about drug abuse. Except it sounds like it’s about Frosty the Snowman. It’s genius, really. One of my favorite compositions… ever.

 

Vocals: Great vocals, great harmonies, and brilliant lyrics. Goodness…

Guitar: Standard awesome guitar work from the Clarks.

Bass: Standard awesome bass line from the Clarks.

Drums: Standard awesome drums from the Clarks.

Keys: Who needs ’em?

Miscellaneous: Crisp ending.

 

Runner-up:

Shimmy Low

Album: Fast Moving Cars (2004)

 

A personal and crowd favorite, Shimmy Low is an uplifting song and typically something I wouldn’t dig. But The Clarks pull it off and I worship this song.

 

Vocals: I’m usually not into the feel-good stuff, but I love Scott’s performance and the accompanying harmonies.

Guitar: Chords and a solo near the end.

Bass: A bit less exciting compared to the other Clarks songs featured in this post, but it still sounds fun.

Drums: Standard.

Keys: Nope.

Miscellaneous: C

 

Runner-up:

On Saturday

Album: Another Happy Ending (2002)

 

To be honest, the main reason I want to chart this song is because of the adorable intro.

 

Vocals: Delightful harmonies with fun lyrics, especially considering it’s a break-up song.

Guitar: Lots of stuff going on here, which will provide a fun and varied experience.

Bass: Groovy.

Drums:Standard stuff.

Keys: None.

Miscellaneous: Fades out, but we can fix that.

 

Runner-up:

Born Too Late

Album: Let It Go (2000)

 

Yeah, same album as above, but I don’t care, because I’ll make any sacrifice and violate any rule for the Clarks. So what do we have here? A song referring to historical figures only by first name from every discipline, lamenting the missed opportunities of learning from so many incredible minds throughout the ages simply by being born too late on the timeline. This one was their biggest commercial hit, actually getting some national airplay, so it deserves to be here, even if there are so many tracks I love so much more…. I’m selfless!

 

Vocals: Gorgeous lead vocals from Scott with lovely harmonies in tow.

Guitar: Awesome fun. Gimme!

Bass: Standard.

Drums: Standard.

Keys: Nah.

Miscellaneous: Fades out… just like all the bright lights referenced in this song. Poetic…

[Atruejedi]

Larry & His Flask

Background: First, there is no actual Larry in this band (just like there’s no Hootie!). I saw these guys open for Frank Turner without having ever heard of them. I didn’t go in expecting much (most openers are usual crap, in my experience), but… I was blown away. They put on an incredibly energetic live show. In all honesty, it was almost dangerous. I was caught in the mosh in the center of the venue and it was like bumper cars on steroids. So armor up, break out your upright bass peripherals, kick away your drum stools, and tune your mandolins! Oh, and refill the flask. My initial short-list for these guys was seven tracks, so narrowing it down to three was quite difficult. To assuage some of my guilt, I buried links within this post to the songs that were very deserving of inclusion but simply couldn’t make the cut.

Important note: please, take pity on us who are not the absolutely most amazing guitar players by charting the mandolin to the keyboard slot. Leave the guitar as guitar for the sake of my sanity and ego!

Another important note: Every time I say mandolin, I might actually mean banjo. It’s hard for me to tell!

The Obvious Choice:
Beggars Will Ride
Album: All That We Know (2011)

I realize this isn’t the perfect song for inclusion in Rock Band, and perhaps not the best song by the band for the Obvious Choice, or even the best candidate from the album on which this track appears, but it’s just such a feel-good jam. Their most popular song on Spotify, Ebb and Flow, was a pretty obvious pick, and while I do love the song, I wasn’t sure anybody else would. Plus, it’s a bit long and there are s a lot of layered instruments playing all over each other, none of which are particularly prominent or memorable. It feels primarily like a vocals song, but all songs by this band are, so, next! The dark horse candidate prevails. Ride on, beggars.

Vocals: A singable melody, backing harmonies, and lots of group parts. The chorus is magical. And I hope I don’t die in no hopsital bed, neither.
Guitar: A rollicking guitar part that will make you swagger across the stage.
Bass: It’s there and it’s fun.
Drums: For maximum authenticity, stand while drumming. Yes, seriously.
Keys: There’s a mandolin (typical for the band), but since the other selections have mandolin as well, perhaps chart the accordion here, at least for that big solo. Yes, there is an accordion.
Miscellaneous: KEY CHANGE! Woo! And a crisp ending.

Runner-up:
Home of the Slave
Album: By The Lamplight (2013)

This slot could easily have been occupied by two other thematically similar songs: Call It What You Will (you should watch the amazing music video) and Pandemonium (here‘s a cool lyric video). So why did Home of the Slave make the cut? Well, while Call It What You Will is easily equal to Home of the Slave in terms of quality and “cool,” the former has way too many instrumental parts that just aren’t fun for the entire band: all that brass just doesn’t translate well into Rock Band. And Pandemonium is great, but I didn’t like the idea of a song opening with a capella vocals. Yes, that’s unique and neat-o, but it’s also tricky and awkward. Both are still absolute gems of songs, but Home of the Slave is probably the most Rock Band-friendly. So them’s the breaks. Another dark horse crosses the finish line.

Vocals: Fun vocals with accompanying harmonies and backing parts.
Guitar: If the actual guitar part is charted here, where it belongs, I might be able to survive… until that solo. Goodness, me.
Bass: Play it like an upright and throw it across the room for an accurate concert experience.
Drums: This band helps me make up for all the disappointments I’ve given drummers in this thread.
Keys: Don’t worry, mandolin! Just like guitar, you get an insane solo, too, in addition to your incredibly difficult “normal” parts. Please chart this insane mandolin here. Please.
Miscellaneous: There is a lot going on in this song, and for that, I apologize to potentials. Get out your devil-star stamper. Crisp ending.

Runner-up:
Hobo’s Lament
Album: Hobo’s Lament (2012)

I considered many, many songs for this last slot, but Blood Drunk in particular came to mind so I could appease the drummers I’ve neglected. Eventually I settled on Hobo’s Lament from their EP of the same name. This song was another dark horse candidate but I’m satisfied with the pick; it allowed me to follow my rules by selecting songs from different albums while also highlighting a slower style from the band. Triple crown.

Vocals: I love those “Please, please, please!” harmonies, so gather up three friends and three microphones, lads.
Guitar: Guitar tends to take a back seat to mandolin here, but a wicked lil’ solo at the end to close the number.
Bass: You don’t have to throw the bass around the room this time. Doesn’t mean you can’t.
Drums: Standing still required, and perhaps actually possible due to the slower pace.
Keys: Mandolin? Mandonlin.
Miscellaneous: Crisp, cute ending.

[Atruejedi]

The Arkells

Important note: If you’re a long-time fan of the Arkells, this list is going to look bizarre to you, and you’re right. The Arkells are an extremely Rock Band-friendly group, but this list tries to cover their entire discography thus far and really sacrifices a lot of songs that would be a blast to play in-game. I’m probably doing them a disservice here, in a lot of ways. Keeping that in mind, I’m going to drop links to some of their best songs (No Champagne Socialist, for example) and my favorites (Tragic Flaw, for example) along the way.

 

Background: I went to see Lights just to watch these Canadian chaps open for her, and while they only played six songs, this was in the era of their first two albums, before mediocrity began to infect the band. So all six of those songs were top-notch compositions and/or performances, thank goodness. I’m not ashamed to admit I’m a big fan of those two albums, but albums three and four are merrr and ugh, respectively (more on merrr below!). “Atruejedi! You sure are crapping on this band a lot while claiming they deserve representation in Rock Band and giving them four suggested tracks!” Yes, there are four suggestions below, breaking the Rule of Three, but only because I gave this list to MrPrez months ago for his Canada 150 project. Everybody needs a vice; mine is enjoying songs by the Arkells when I probably shouldn’t. Nothing about this band is great by any measure. They write good songs (half of the time). They’re good live. But it’s some weird combination of simply being good enough that makes me root for them. While I could easily have cut one of these songs, I liked giving each album (even the crappy ones) one track a piece. Hopefully one of these tracks is good enough for your ears. The saddest part is that this list leaves off their best songs and my favorites, all in the name of treating each album fairly and fun-for-the-entire-band considerations. I’m an idiot.

The Obvious Choice:

Oh, The Boss is Coming!

Now available! Download here

Album: Jackson Square (2008)

This is a no-brainer. It was a big hit single and it’s just bad-ass. Not sure if there’s some deep meaning behind it (probably not), but it just feels right for Rock Band. Plus, he says ass every chorus . This album is really, really good, and I was torn between this song and The Ballad of Hugo Chavez, which is awesome in its own way.

Vocals: No harmonies. If you sing this authentically, it could be difficult at times. Some stressful, intense notes.
Guitar: Strum quickly. Shred it.
Bass: Killer!
Drums: I am ignorant, but they sound fun and intense at moments.
Keys: None.
Miscellaneous: I love the quiet parts when the whole band suddenly stops and there is only a vocal bar for a moment. Crisp ending.

Runner-up:

Michigan Left
Album: Michigan Left (2011)

The title track from the album. A classic, for the band, at least, but there ain’t nothin’ deep about it at all. Just a solid pop-rock song. I should feel shame and guilt for having listened to it so many times in my life, but I don’t. I almost put On Paper in this slot, but it’s a bit sappy for my Rock Band taste…

Vocals: No harmonies, per se, but a great opportunity for some nice “whoa-oh” callbacks. Cool layered vocals during the closing.
Guitar: A few guitar parts to choose from. Lots of strummin’. A solo of sorts during the closing.
Bass: Could be fun; definitely has some interesting parts.
Drums: They sound enjoyable to my untrained ear. Definitely the backbone here.
Keys: Nope.
Miscellaneous: Crisp ending.

Runner-up:
Cynical Bastards
Album: High Noon (2014)

I am so torn on my opinion of this album, including this song. Like the rest of the album, this track ain’t high art, but it’s definitely a fun time and an anthem of sorts. And, come on, with a title like that, who wouldn’t be interested in trying this out? This record is absolutely jam-packed with dumb yet charming songs: 11:11, Never Thought This Would Happen, Hey Kids!, and Leather Jacket all come to mind, and I hate linking to so many songs from this dumb album when there are so many better songs elsewhere… but they’re just so damn Rock Band-friendly. I consider myself a music snob (if somehow you haven’t figured that out) and I feel like I shouldn’t enjoy this album as much as I do. But I do! It’s probably my #1 Guilty Pleasure album of all time. I’m really shocked Harmonix didn’t mine songs from this for official DLC.

Vocals: Could be tricky to chart because of all the parts where you might want to use a talkie. Great refrain for parties, even if there’s only one part. Nice “oooh” backing vocals at times.
Guitar: Sounds fun, but definitely shares the stage with and is often eclipsed by the keyboard parts. Sort of a solo at the end? I guess?
Bass: I dig! Sounds fun.
Drums: Standard rock song drums.
Keys: Piano! Finally! And then synth and then lots more piano! A keyboard players dream.
Miscellaneous: Crisp and abrupt ending.

Runner-up:
Round and Round
Album: Morning Report (2016)

This album sucks, honestly. But this one is a stand-out in a sea of mediocrity; actually, it’s probably one of their best-written songs, even considering their entire discography. It’s a slow-builder, but by around 90 seconds in it becomes pretty cool. The song grew on me quickly, especially compared to the rest of the tracks on the album (except Hung Up, which is pretty good and you might wanna check out, even if it’s just another song on my guilty pleasure list).

Vocals: Pretty easy. Primarily for one vocalist, but there are subtle, quiet backing vocals for the whole band throughout the song.
Guitar: The guitar is the star for this number. Get those fingers ready. Repetitive but pretty.
Bass: Take a backseat and just enjoy the ride, bass. But this part can be pretty neat at times.
Drums: Probably a bore.
Keys: Piano is gentle and welcome. Cute synth part is sparse but there. There is brass for parts that could be charted here as well. Get a renaissance man/woman for this slot.
Miscellaneous: A bit slower for a pick coming from me, but it’s a feel-good tune. Fades out ” src=”/wp-content/uploads/invision_emoticons/default_SA_frown.gif” />

[Atruejedi]

The Vandals

Background: I think I first heard these guys in the late ’90s when using the Yahoo! Radio function built into Yahoo! Messenger. While I’m a bit surprised they never had a single from Harmonix released as DLC, I’m more surprised they have no customs in the database. We need more punk and these guys deliver with clever, lighthearted lyrics about surprisingly serious subject matter… at least for the three suggestions below. But trust me when I say they have a lot of juvenile jams as well… and a Christmas album with a surprisingly great song. Huh? Oh, and I’m pretty sure Vandals fans are going to be irked I chose these tunes as opposed to their harder, faster songs, but please, don’t sack me. I’m open to suggestions. When in Rome, after all…

The Obvious Choice:
My Girlfriend’s Dead

Now available! Download here

Album: Hitler Bad, Vandals Good (1998)

How does one effectively cope with the loss of a loved one? By writing a ridiculous song about all the absurd causes of the departed’s death.

 

Vocals: Morbid but fun lyrics with great harmonies.
Guitar: A few layered guitar parts, so pick and choose!
Bass: Standard punk rock bass line, for the most part.
Drums: Standard punk rock drums. Get a water bottle, or, better yet, a beer.
Keys: Punk with piano. Yes, I’m serious! But it don’t last long.
Miscellaneous: Chart that whistling! Crisp ending.

Runner-up:
People That Are Going To Hell
Album: Hitler Bad, Vandals Good (1998)

Dish out some cosmic justice with punk prose. I mean, Karma Chameleon is a fine tune, but this dose of karma ain’t new wave; it’s a bitch. And, yeah, I violated a rule by double-dipping from this album. But Vandals are barbarians, dude. Rules don’t apply

 

Vocals: Silly lyrics, sure, but it might be nice if they were right. Oh, and harmonies are sublime.
Guitar: Pretty standard punk rock guitar.
Bass: Intimidating at times. I want.
Drums: Punk drums.
Keys: You’re hilarious.
Miscellaneous: Crisp ending.

Runner-up:
It’s a Fact
Album: The Quickening (1996)

The above songs might be from an album mentioning Hitler in the title, but this song actually mentions Hitler in the lyrics. Hooray! Quota fulfilled.

 

Vocals: Delightfully depressing lyrics. And they’re right: Hitler is a jerk.
Guitar: A fun guitar solo. Please use vocals with this to simulate the talkbox ” src=”/wp-content/uploads/invision_emoticons/default_SA_biggrin.gif” />
Bass: Sounds absolutely nutso at times. I fear playing this, but I’d be glad to suck it up and suck.
Drums: A cardio workout. Yikes.
Keys: Hey, you got lucky with that punk piano in the Obvious Choice. Don’t get greedy.
Miscellaneous: It’s in the bible! should totally be a talkie so I can just freaking scream it. Crisp ending.

[Author]

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