Lowlander2’s non-C3 customs: Bury The Hatchet – Protest The Hero
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Another one from GH5. No vocals, but lots of keys! Special thanks to Keltic (Rocker1999) for helping out with audio a bit.
phenomenal conversion and fabulous venue
Awesome, always happy to see more from you
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A purely indulgent release if there ever was one. Dave Hole isn’t that well known even inside Perth, but he does have a loyal following, remaining an incredible live act the world over for decades, even earning praise from Kirk Hammett once for his slide guitar skill. I’ve had the pleasure of seeing him live twice and will probably do so again this year. This is one of his signature songs, the title track from his debut. Gotta love that monster solo.
Pretty quick one but I’m surprised no one did this yet, this is actually the Janis Joplin song I was most familiar with besides Piece Of My Heart.
This is really what I was working on for the past couple of weeks; the Joplin song was just a detour. Lots more ghost snares in this GH5 convert chart, but didn’t have to do much with guitar. Huzzah!
This has been in the works on and off for about a year and a half, but it’s finally at the point I feel comfortable releasing it. Frost* are a neo-prog supergroup from the UK who came out with their debut, Milliontown, in 2006, and while it was their 2016 effort Falling Satellites I fell in love with the most, I can easily call Black Light Machine the best song from their debut. The second guitar solo is up there for being one of the best of the 21st century, but bass, keys and drums all have really fun parts too. Even vocals has a bit of back and forth that echoes the interplay between lead singer Jem Godfrey and guitarist John Mitchell. Never have I said this with it being more true: I hope you all enjoy it
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If you follow Team Aftermath, you would have seen us uploading FBFCs of this entire album’s DLC on Guitar Hero. Most of it is forgettable if you ask me, but there is one giant highlight. This is a simple song reliant on samples and patterns, but the ambience is great and it is more varied than you’d think at first.
This album got a spanking 10/10 from Anthony Fantano a couple of years ago, but I only just caught up to it. Even though this is the most accessible song on the album, it’s still noisy as all hell and has some wild guitar and drum charts. Special thanks to Gal for charting drums and OD for this song.
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